To gain them the recognition he was convinced they deserved, he developed a range of new ways of promoting them that redefined the relationship between dealers and artists. It was a long-term project born of his faith that financial rewards – for the artists as much as himself – would come when the rest of the world saw them the way he did. Innovative artists needed an innovative dealer and Durand-Ruel’s particular genius was not just to spot the talent of the young impressionists, but to promote them indefatigably and create a market for them where previously there had been none. Photograph (Musée d’Orsay) /Hervé Lewandowski. View image in fullscreen Two Dancers Resting by Degas. To think that, had I passed away at 60, I would have died debt-ridden and bankrupt, surrounded by a wealth of underrated treasures.” As he noted: “My madness had been wisdom. For Durand-Ruel, it was validation of his steadfast support for this group of avant-garde painters which had several times put him on the point of financial ruin. For Monet, Renoir, Pissarro, Sisley and their peers it was final confirmation that their struggle to win acceptance for their unacademic, light-infused paintings had been successful. The exhibition, sometimes known as The Apotheosis of Impressionism, contained 315 pictures and was, and remains, the largest show of impressionist works ever held. This meeting and the chain of introductions, friendships and innumerable business transactions it put in motion was to culminate 24 years later with an exhibition just down the road on Bond Street at the Grafton Galleries. Whether or not the gallerist believed Daubigny’s words of introduction – “This artist will surpass us all” – he liked Monet’s work well enough to buy numerous canvases and, a few days later, paintings by his fellow artist-refugee Camille Pissarro, too. It was in January that year that the landscapist Charles-François Daubigny took him along to the inaptly named German Gallery on New Bond Street and introduced him to the proprietor, another French expat, named Paul Durand-Ruel (1831-1922). In 1871, having fled the Franco-Prussian war, Claude Monet was living in London. It is another irony that the key figure in the movement was not a painter but, that most maligned of species, a dealer. Petersburg, the Musée d’Orsay in Paris, the National Gallery in London, The Museum of Modern Art in New York, and the Rijksmuseum in Amsterdam, among many others.It is one of the ironies of impressionism, the quintessential French movement, that it had its beginning and its end not in Paris but in London. In 2019, Monet's painting of haystacks, Meules (1890) broke a new auction record for the artist when it sold for $110.7 million at Sotheby's New York. Today, Monet's works are held in the collections of the Hermitage Museum in St. The artist died on Decemin Giverny, France at the age of 86. The first Impressionist exhibition in 1874, caused a public outcry, with the art critic Louis Leroy deriding the group in print as “impressionists.” Over the following decades, public and critical opinion changed towards the style, making many of the original members wealthy. In 1859, he became a pupil in the Paris studio of Charles Gleyre, where he met Renoir, Alfred Sisley, and Frédéric Bazille. “Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you.” Born Oscar-Claude Monet on Novemin Paris, France, he learned to paint en plein air as a teenager in the coastal town of Le Havre from the older artist Eugène Boudin. “When you go out to paint try to forget what object you have before you-a tree, a house, a field or whatever,” the artist once explained. Some of his best known works include Water Lillies (1919), Impression, Sunrise (1872), and Rouen Cathedral at Sunset (1893). Monet, along with his peer Pierre-Auguste Renoir, were concerned with conveying atmosphere and light with broken brushstrokes and complementary colors. The artist’s inimitable style is best remembered through the vivid depictions he produced of his flowering garden in Giverny. Claude Monet was a French painter known for his pioneering role in the development of Impressionism.
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